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Variety is a key feature of Nature. A new organism is not necessarily better than an old one, it is just different and adds variety. And an old organism has already proven to be able to survive under a number of circumstances.

Likewise, a new art form is not necessarily better than an old one, it is just different and adds variety.

I create artworks with distinct qualities: interactive, kinetic, static. I enjoy all of them because I like variety.
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By the author

2004
Sul rapporto tra immagine e musica, La Critica
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1999
Arte audiovisiva, Opera Totale 5
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1990
Dataglove and Audiovisual Art, Note di software
Tempo reale e tempo reale speciale, d’ars
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1988
Perceptual Correspondences of Abstract Animation and Synthetic Sound, Leonardo
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1985
Adriano Abbado, Claudio Mordà, Gianluigi Rocca: Immagini con il computer, Arnoldo Mondadori Editore
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About the author

2014
Maddalena D’Alfonso, Visual Sound in Mystic 3D, Ba3ylon

2005
Andreina Merheb, L’arte digitale, Degree Thesis, Università degli Studi Roma Tre
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2004
Laura Liotti, Adriano Abbado, Bachelor’s Thesis, Università degli Studi di Roma - La Sapienza
Silvia Bordini, Arte Elettronica, Giunti Editore
Ernest Edmonds, Andrew Martin, Sandra Pauletto, Audio-visual interfaces in digital art, Proceedings of the 2004 ACM SIGCHI International Conference on Advances in computer entertainment technology
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2003
Tech as Technique, The Washington Diplomat
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2000
Matt Woolman, Sonic Graphics - Seeing Sound, Thames & Hudson
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1999
Intervista a Adriano Abbado, Museoteo Fanzine
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1993
Adriano Abbado: le forme della musica, Applicando
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1991
Computergraphicsshow, Computer Grafica & Multimedia
Macintosh e arte, Applicando
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1990
Arte e computer, Flash Art
L’Italia al computer, Zoom
Adriano Abbado: quando il suono computerizzato si fa immagine, Video Magazine
Delle immagini e della musica, Chip
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1985
Mauro Salvemini, Computer Image, Gruppo Editoriale Jackson
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Mentioning the author

2010
Stephen Callear, Theory: Audiovisual Correspondence
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2009
Michael Haverkamp, LOOK AT THAT SOUND! VISUAL ASPECTS OF AUDITORY PERCEPTION, III Congreso Internacional de Sinestesia, Ciencia y Arte, Granada
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2007
Derek Yau, Rachel Mccrindle, MusiCam: an instrument to demonstrate chromaphonic synesthesia, Digital Creativity, 18: 2, 121 - 127, The University of Reading, UK
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2005
Mick S. Grierson, Audiovisual Composition, Doctor of Philosophy Thesis, University of Kent
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2004
Ernest Edmonds, Andrew Martin, Sandra Pauletto, Audio-Visual Interfaces in Digital Art, Proceedings of the 2004 ACM SIGCHI International Conference on Advances in computer entertainment technology, Singapore
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2000
Golan Levin, Painterly Interfaces for Audiovisual Performance, M. S. Thesis, Massachusetts Institute of Technology, Cambridge, MA
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1985
Mauro Salvemini, COMPUTER IMAGE, Gruppo Editoriale Jackson, Milano
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